Portfolio
A selection of projects from twenty years of work with brand identity, packaging, editorial design, web and UX.
A digital product catalogue that replaces heavy PDFs with a fast, searchable browsing experience.
Structured categories, clear product cards and a consistent grid make a large assortment easy to scan on both desktop and phone, with the brand's typography and colour carried through every view.
Interface design for a learning portal where courses, progress and resources stay easy to find.
The layout separates course overview, lesson view and progress tracking into calm, predictable screens, using a restrained palette and clear hierarchy so learners can focus on the content rather than the interface.
A packaging system for a dairy range, built to stay recognisable across many products on shelf.
A shared layout, colour coding per product type and consistent typography let the range scale from milk to cheese and yoghurt while the brand block stays the anchor customers recognise first.
Branding for a cafe and bar built on a raw, tactile visual language with a bold hand-drawn mark.
The identity pairs an earthy palette and textured surfaces with a hand-drawn mark, applied across signage, menus, drinkware and social content so the room and the brand read as one.
A series of posters exploring landscape, light and composition through minimal graphic form.
Each poster reduces a scene — cloud, mountain, sky — to a few layers of colour and type, testing how far an image can be simplified and still carry mood.
A precise, technical visual concept for an industrial Norwegian brand.
The concept works with engineered grids, restrained colour and technical imagery to communicate reliability and precision across print and digital applications.
Brand concept for an infrastructure company — structured, modern and built on a modular system.
A modular mark and grid system scale from small digital touchpoints to large-format signage, held together by a tight palette and a clear typographic hierarchy.
A place-driven identity for a Norwegian aquaculture producer, rooted in the fjord landscape it comes from.
The rebrand builds a logo, colour palette and photographic language from the coastline itself, then carries it through packaging, workwear and digital surfaces.
A visual content system for marketplace product listings — layouts, typography and image rules that scale.
The guidelines define infographic layouts, typographic hierarchy and photo treatment so every product card reads clearly on mobile and stays consistent across the whole catalogue.
A full visual redesign for a Norwegian seafood company — logo, packaging and brand guidelines with a clean maritime feel.
The work covered the logo, colour and typography system, packaging for the product range, and a set of guidelines so the brand stays consistent from box to website.
Warm, hand-crafted identity for a coffeeshop concept: logo, cups, signage and printed material.
Hand-drawn lettering and a warm palette carried across cups, bags, signage and menus, with printed material prepared for production.
Brand identity for a family-run fish farm on the Norwegian west coast, built around heritage and clarity.
The identity draws on the family history of the farm and the surrounding coastline, applied to packaging, workwear and digital touchpoints.
A scalable packaging system for a private-label grocery range, designed to stay consistent across dozens of products.
A modular grid, colour coding by category and clear typographic hierarchy let dozens of products share one shelf language.
Identity for a glamping resort in a pine forest — logo, pattern and signage inspired by sun and trees.
Sun and pine motifs became a flexible pattern used on signage, printed guides and merchandise across the site.
E-commerce design for a building-supplies wholesaler: catalogue structure, product pages and checkout flow.
Focus on making a large technical catalogue easy to browse: filtering, clear product cards and a short, predictable checkout.
A mobile UX case study: user flows, wireframes and a calm interface for an aid and relief application.
Research notes, user flows and wireframes lead into a calm interface where critical actions stay reachable under stress.
Logo and mark exploration for a technology brand, from sketches to a precise geometric final.
Sketches, grid construction and testing at small sizes shaped a mark that stays sharp from favicon to signage.
Identity and applications for a car workshop: logo, workwear, vehicle graphics and signage.
One robust mark rolled out over workwear, vehicle graphics, signage and paperwork for a busy workshop environment.
Packaging design for a fastener range — colour coding and typography that make the right box easy to find.
Colour coding by size and bold numerals let a worker pick the right box in seconds, even from a distance.
Complete brand manual: logo system, colour, typography and rules for print and digital use.
The manual covers logo construction, clear space, colour values, typography and examples for print, packaging and screen.
A multi-page product catalogue with a strict grid, clear hierarchy and print-ready layouts.
A strict baseline grid keeps hundreds of items readable, with print-ready files delivered for production.
Interactive installation for Akvariet i Bergen where visitors draw a fish and see it swim on screen.
Visitors colour a paper fish, scan it, and watch their drawing join the digital aquarium — concept, illustration and interface design.
Corporate logo and brand manual for a holding company, with a formal and durable visual system.
A formal mark and a compact manual give subsidiaries a shared framework for documents and presentations.
Branding for a laser-cutting workshop — sharp marks and industrial materials in the applications.
Precise geometry echoes the cutting process, applied to signage, workwear and metal-finished print samples.
A personal photo series exploring city light, movement and composition.
Shot over several seasons in the city, the series works with available light, long exposures and tight framing.
Vehicle graphics for a wholesaler's fleet, readable at distance and consistent across van sizes.
Layouts were tested on different van sizes so the logo, contact details and colour blocks stay balanced on every vehicle.
Friendly editorial design for a children's recipe booklet: illustration, layout and print production.
Illustrated spreads, simple step layouts and large type make the recipes easy for children and parents to follow.
Website design for the SLATE research centre at the University of Bergen — structure, UI and accessibility.
Content structure, page templates and an accessible colour and type scale for a research audience.
Corporate brochure combining photography, infographics and a calm typographic grid.
Photography, infographics and text are balanced on a calm grid, with the file prepared for offset print.
A4 marketing brochure with a flexible layout system for text-heavy and image-heavy spreads.
A small set of spread templates covers both text-heavy and image-led pages without losing rhythm.
A collection of posters exploring typography, colour and strong visual hierarchy.
Each poster tests a different idea — scale contrast, colour tension or a single typographic gesture.
Logo design for a Baltic trading company, built on a simple and memorable monogram.
Monogram exploration ending in a compact mark that reads well on documents, signage and small digital sizes.
Logo and visual mark for the SLATE research centre, designed to work in print and on screen.
A simple geometric mark built to hold up in one colour, small sizes and academic print material.